You've got to wonder why people fall all over themselves in slavish imitation of Lovecraft and his "mythos" and yet nobody seems to have planned any literary adventures in William Morris' world of Upmeads. I've been interested in fantasy literature and its history for a while, and a week ago I finally sat down and read this book. I was expecting it to be better than Lord of the Rings, and it was. I've always preferred Lewis' Narnia to Tolkien's Middle-Earth, and Morris gives me another alternative (albeit the alternative that actually spawned both Narnia AND Middle Earth). Ralph and Ursula make one of the most affectionate, lovable couples to be found in fantasy literature, the physical descriptions of landscapes and clothing and people are all the more gorgeous for their archaic nature, and you even get as an occasional bonus William Morris inserting his pre-Fabian socialist ideas into people's mouths. If people are going to write imitative fantasy novels, they should start with THIS, and not Tolkien or Lovecraft.

I rank this book up there with the Gormenghast series and the Lord of the Rings. A fantasy masterpiece, it is the precursor for everything that came after. Yes, the archaic medieval language is tough to get into at first, but after ten or twenty pages it becomes natural to the mind and presents no problem. One sees that the language is part of the beauty. Overall, this book is like one of those medieval detailed tapestries, with kings, adventurers, knights and noble women trotting through forests toward distant castles. This is medieval romance at its finest, and because it dates from 1898, it is happily free of the Tolkien imitativeness that has so infected a large portion of modern fantasy. Forget Terry Brooks, read The Well At the World's End.

Don't let the dismal fact that this book is twenty-zillionth on the bestseller list discourageth you.... it is well worth orderething.

I first came to this book through the published endorsement (hence, not personal) of the great C.S. Lewis, who made his first reading of the Well in November of 1914. He read it many times thereafter.

In my ONE reading of the two volumes, I can attest to the fact that this is a beautiful story, a rich fantasy, a vibrant fairy-tale with no fairies. Among other things... a love story. Strictly speaking, as regards genre, it is a "romance". The chivalric, bardic story of Ralph of Upmeads, the least likely of the King's four sons, who devotes his life to the quest of the Well at The World's End... a fabled well which promises to reward its discoverer with perpetual youth.

If you are in love with Tolkien's The Lord of The Rings (and who isn't) you should definitely consider having an affair with The Well At The World's End. Let me defuse the daunting issue of Morris's use of archaic language. Be ye warned, in every sentence you will constantly encounter words such as forsooth, hitherward, quoth, whither, rideth, erstwhile, deem, draweth, betwixt, and I wot not else. At first I thought this would be really intolerable. But I quickly adapted to it, and even found it kind of "not vile".

Remember... Volume 2 is essential. It's NOT a sequel, it's a conclusion. Get both volumes, and escape the world of car horns and remote control for a bit.

I applaud this new re-issue of what is definitely a fantasy classic. Previously, one had to search a hundred used-book stores to find it. Now it's a click away.

And as regards it's place on the bestseller list? I am reminded of the wise words of the great Henrik Ibsen, who once suggested that "the solid majority is always wrong."

Engaging, erudite and totally accessible, Dr. Simon dazzles the reader with this treasure drove of a book, a book that can be enjoyed by both X-Files fans and casual viewers, and both the scientific community and lay people. I haven't read anything as fun on scientific phenomena as this book for a long time, not since Hawking's "Brief History of Time". Each chapter begins with a scene from the show, then unfolds into a fascinating treastise on a myriad of differing topics, including virology, molecular biology, astrophysics, geology and genetics. Her tone is humorous, ironic, at times conspiratory, but always enthusiastic and never condescending. That she is genuinely passionate about her field of research and the scientific principles in general, is never in doubt. She must make for a hell of a teacher. As a woman in the medical field who's also an avid X-Files fan, I take my hat off to Dr. Simon. A real treat.

This book makes fascinating reading, even for the non-scientist and non X-File fan. Personally, my last forays into science were sometime in the tenth grade, and I've only seen the X-Files show sporadically. But Professor Simon explains the scientific rationale behind the episodes in such an entertaining and illuminating manner, I never missed a beat. She is a thoroughly competent scientist, but I think it's her excellent storytelling ability that sets this work apart. As someone who's tried to struggle through a number of "science for laypeople" books and put them down unfinished, I would recommend this book as a very entertaining read.

Anne Simon's "The Real Science Behind the X-Files" is my new favorite book. It addresses complex subject matter in a manner similar to that of Physicist Stephen Hawking...easy for the layman to understand and enjoy, and packed with enough hard core science for a true scientist to become captivated. And to top it all off, you've got Mulder and Scully as the leading characters. Simon does a magnificent job of illustrating exactly where the real science becomes science fiction, but gives due respect to that which is not yet proven or is knocking on the door of discovery. It makes you appreciate the "X-Files" a whole lot more knowing how much thought and effort goes into making the storylines as accurate as possible. Great for a casual read and a pleasantly entertaining learning experience.

This book was really good. I couldn't put it down until I finished. It's only 108 pages. I hope you'll enjoy this book as much as I did. I definatly recommend it for readers who are fans of science fiction and suspense. I am not a fan of sci. fic., but I am of suspense and I really enjoyed this book.

This book is way cool! I am an X-phile to the extreme, I could not sleep good for at least one week, this book is wonderfully written and I would reccomend it to anyone who belives that there are places and things best left alone

I read this book a few months ago. At first, I thought it would stink, but my friend kept nagging me about how good it was, so I just borrowed it from a library, read it and did not stop reading it (And I mean I did not stop reading it, I finished it in an hour because I was so attached to it)! I highly recommend it (especially for X-Files fans). Now, I try to read it every day!!!

This is definitely a must-have for any X-Phile, especially if you missed an important episode of Season 6. It contains a detailed summary of every episode in a mini novel-like form, with commentary about that episode. It's also great to have if you desperately want to view a Season 6 episode, but you didn't tape it. In this book, you can READ the episode. I know it's not the same as watching it, but it's something. And for all you 'Shippers like me out there, you can re-live all the greatest 'Shipper moments, like in the episode "Triangle."--the famous kiss, and Mulder's famous "I love you" line to Scully. And let's not forget the part in "The Unnatural" where Mulder teaches her how to play baseball, or in "Dreamland" where Mulder dances in front of the mirror while in the body of Morris Fletcher.

The book also contains colorful photos commemorating every unforgetful moment of the season. Now I can't wait for the next volume. I'm one of the unfortunate people who missed the Season 7 finale, where Mulder gets abducted and Scully announces to Skinner that she's pregnant . . .

I love this book,I especially like the behind the scenes stuff, it's great.I recommend this book to anyone who is the biggest fan in the world to the show like me.It has a great picture of David Duchovny in front of the mirror (very cute). I have almost all of season 6 on tape so it was very interesting to read the behind the scenes stuff and see how they made the episode.I have all of season 7 on tape so I can't wait for the next book to come out.I am running out of blank tapes!

The End and The Beginning is just another great book in a great collection. It is one of the most descriptive guides yet, with great color photos and a play by play look at each episode from season 6. If you are a true X-phile, this book is a necessity. This is a great look at the series while Scully and Mulder were still on the same planet, so to speak.

I've been knocked out by every Angela Carter book I've read, but for some reason this early effort is my favorite. It doesn't contain her most gorgeously drunken prose (I think that honor goes to "Wise Children") or showcase her unique storytelling gifts as well as her short fiction does, but it's a powerhouse all the same.

There are some great scenes here: the sensuality of the girl's private dream world at the beginning of the novel, the crushing finality when she and her brother arrive at their uncle's house and she realizes what a grim turn her life has taken, the descriptions of her brother, their monstrous uncle, his long-suffering wife and hapless brothers-in-law, the bizarre puppets her uncle creates.... This is highly imaginative stuff, and it doesn't let up for a minute.

"Nights at the Circus" and "Wise Children" are both very funny novels, and even their darkest episodes can't diminish the humor. "The Magic Toyshop" sinks into darkness very early on and remains there for most of the novel. But Melanie is such an engaging and sympathetic character that you never once give up hope that somehow, she'll find some kind of escape from the dismal world into which she's thrown.

If you've never read Angela Carter, this is a good place to start. It's a bit more traditional than many of her other novels, but it has plenty of bite and a set of characters you'll never forget.

Angela Carter has never failed to impress me. Her imagination knows no limits -- and she illustrates the same whenever she explores the realm of magical realism in her novels. The Magic Toyshop has gothic and mystical undertones that are perfect for the turbulent world of the young characters in the book. Melanie is quite a compelling character. Her struggles have unmistakable fairytale-like quality (Cinderella and Sleeping Beauty spring to mind). The aforementioned elements give the novel a rather unique brand of magical realism. This novel is beautiful, decadent and engrossing. It is difficult to describe the content of Carter's novel without spoiling some vital piece of information, so I won't recount further -- all I can do is share the joy of having read such literary work and recommend it most highly.

A tour de force for Angela Carter. This novel is a perfectly formed gem cut in the inimitable Carter style. The story of Melanie, the 'bourgeois screamer' and her journey 'through the mangle' in the form of her experiences in the magic toyshop is a gripping read which sheds much light on Carter's stance towards, among many things, the subjugation of women and the role they take, or are forced to take, in society. This being a Carter novel, the character of Melanie is particularly well drawn, and her exploits operate within the framework of numerous fairy tale paradigms, Cinderella and Sleeping Beauty being the most obvious. Melanie is orpahned at the novel's outset and is transported 'from rural comfort' to the grimy, gritty, basic world of real life in london, in the form of her Uncle Philip's home and livelihood, the magic toyshop. There is very little truly magic about the toyshop however. Despite the numerous fairy tale motifs and subtle literary allusions woven into the novel's fabric ( the younger siblings are reliable literary jokes, while uncle philip is a wonderfully overblown carboard cut out of the melodramatic victorian villain) the plot makes Carter's renounciation, and eventual deconstruction of the role the patrairch takes in society clear. Carter may wish us to consider deeper issues, yet, as with all her work, there is a profound sense of fun imbuing the magic toyshop with an inherent readability. Melanie is of course an upper crust adoloscent thrown into a nightmarish, 'dirty' world, and we can take sadistic delight in observing her naivety, her bizzare reasoning, and her faltering steps into puberty. Yet Carter allows Melanie a strong elemnt of adaptibility: she rarely complains about the lot fate has thrown her, so the strength of the female (espacially when we consider the role of Aunt margaret and her moral immutability) is never far from our minds.
This was the first carter I read and I havent looked back since. The fairy tale elements and strong narrative, as well as the skillful characterization of Melanie ( a character in whom there is little reflection of Carter herself) make this an easy and enjoyable read, while there is plenty of meat in the prose for anyone to chew on: feminism, sixties culture, family units, growing up, romance and love, art, clothing and the nature of theatre, of drama itself, are all tackled in detail. Highly reccomended for carter virgins and afficiandos alike.

I have read One Time and would like to express my approval for the author openly and honestly confirming what takes place on the streets of Los Angeles between minorities and police officers. The actual events that minorities have been complaining about for years has finally come to life--from the eyes of a police officer himself. I am very appreciative of the fact that Mr. Bentley decided to share his experiences on the force with the public. I hope the information contained in the book will be used to take a look at the unjustices and unfair practices people of minority descent have endured for years from LAPD.

I read the book One Time with great appreciation and admiration for the young officer who worked in the inner city and for minority officers. The book depicts the inner most feelings of what it is like being an officer in Los Angeles. Law enforcement is sometimes frustrating, demamding, stressful and rewarding, which Mr. Bentley sucessfully displayed. The book also gave us a sample of how they are precieved and treated by the commnity and each other. It is unfortunate that this young, eager, and educated man was not allowed to be the kind of officer that he initally wanted to be, and to make a differnce in his commnity. Because of the prejudices, bureaucracy, politics and unethnical behaviors within the department,there will be many officers like Mr. Bentley who will be burned out by the system.

I recommend this book to all potental police officers and their families. A must read book!

Having grown up in S/C LA and also a retired Police Officer, this book give you the real world experience. This book will take you from one extreme to the other. You will laugh, cry and be very afraid. Because it is all so very true. Somebody needs to make this into a movie, Quick. Oprah needs to read this book

What we have in this series of books (starting with Conan, and proceding through Conan The Cimmerian, Conan The Wanderer, etc.) is an attempt to put the stories in chronological sequence, filling in the gaps from the late Howard's notes. It's a valiant effort, both respectable and respectful though it's certain that whatever demons possessed Howard and allowed him to write as knowledgably (even "truthfully") about Conan as he did do not possess Carter and de Camp.

It's too easy (and fruitless) to criticize the effort for that. The series gives you a look at Conan as he grows and matures, and presents as cohesive a picture of him as any literary (or even actual) character ever documented. Aspiring fantasists would do well to read this for an idea of how to build a lasting character.

Beyond that, the stories are just plain fun. Violent, of course, with a smattering of non-graphic... (less here than in other books), and lots of good weird stuff. Because these are short stories, you don't get the kind of cliffhangers you get from a "Tarzan" book, but you do get non-stop action from one of the best. And that ain't bad.

Robert E. Howard is truely the master of fantasy. This is the first installment of the conan saga. This book has the first eight short stories of Conans life written by Robert E. Howard and edited by L. Sprague De Camp and Lin Carter. These stories are fantastic well written swords & sorcery by the man who started the craze. The battles in the book are so vivid that you can feel the blood splashing your face as Conan cuts his enemy down. His emotions are so well written that you can feel Conans despair as he faces his greatest fears. Heck by the end of the book you miss the guy. This book has it all fights, drinks, booty, women, and high adventure. Conan was fun and entertaining to read I reccomend it to all swords & sorcery fans. If you like this book or are interested in more swords & sorcery then I reccomend these titles: the whole conan series, Brakk the Barbarian by John Jakes, Flashing Swords edited by Lin Carter(short stories), Swords and Deviltry by Fritz Leiber.

Besides Robert E. Howard's suicide at the age of 30, the greatest tragedy of this brutally talented writer is that his work has not enjoyed the literary praise and societal acceptance that it so clearly deserves. Howard is one of the most overlooked authors of the last century, in part due to academia's refusal to seriously study the Fantasy genre. Conan, Howard's greatest character, lives, prowls, "wenches", boozes, adventures, and cajoles among the paperback pages of this first Conan book, due entirely to Howard's distinct narrative voice.

The reader feels the flexing muscle and sinew, the weathered and tanned skin, the animal reflexes, the very strength in Conan's mercenary grip when they read these short stories - beyond Howard's brilliance at character creation, the very narrative voice is written in the tune of savage ruthlessness. No matter your sex, you can't help but boil with testosterone and reel in the wicked pleasure of cleaving cut-throats with a broadsword, because the simple and powerfully persuasive narrative voice places you in Conan's world. Howard's delicate and meticulous word choice not only provide the uniqueness of his voice - a style rich with texture, details, and cinematic imagery - but it also provides the barbarian lens by which we view his world.

The stories are often dripping with blood, but the imagery is so vivid and artistic it in no way diminishes the quality of the text. The knocked out teeth and the crimson sprays seem natural, because they're natural to Conan. Few authors have ever displayed such a profound ability at placing the reader into a character's blood, brain, and hormones. Conan, after all, is not the stereotypical Hollywood action hero - he is a character designed with his own unique combination of strength and flaws. Flaws found in all humanity. He may be built and wired like a Siberian tiger, but he is plagued with a deeply embedded fear of the supernatural. His temper often gets the better of him. When times are good and the riches spill from his saddlebags, he's a boastful braggart that earns the unforeseen whack at the end of a dark alley. When times are tough, he hits the goblet. He's everything we want to be and one of us when we need him to be.

Howard's voice and style make all of this possible. This first book in the Conan series displays that voice of reluctant role model as good as any other. Finding a copy may be difficult, but for the reader that enjoys Fantasy written at the depth and quality of literary genre fiction, the search and the expenditure will yield a bountiful harvest.

It had a great amount of information that I had no idea about. It's a really cool book for anyone who's a real die-hard fan of the Real World like I am!!!

Being the hugest fan of the Real World(my favorite being Boston) this book is soooo good! It's about time we get a behind the scenes peek at the Real Wolrd PLUS we can learn more about the roomies!!!!!!

The Ultimate Insiders Guide is a definite must for Real World fans because of the content. The Boston section is really in depth including many sections about different things that occured throughout the season. The sections for seasons 1-5 are great too, including a little more info about the cast than was offered in The Real World Diaries. Each person has their lines that could be quoted for generations to come. For instance, Jason from RW VI says, "The journey teaches you to be a really good friend to yourself, because sometimes that's all you've got." My personal fave section was the analysis of how the outside couples survived and the "Did...sleep with...?" section for each season. If you really claim to be a RW fan than ou must get this book. You'll be glad you did.

Only Angela Carter could have devised the coarse golden character of Fevvers, the Cockney miracle around whom this tale spins. Girl takes wing, boy flies after, girl loses and gets wing and boy -- that's mad enough, but it gives not the least taste of the crumbled, intricate, and ultimately wonderful world of this particular circus. Carter's ability to interlace sharp doses of political and intimate realities into the mix not only teaches you lessons unaware, but opens you to a larger definition of what can be. Once upon a time, or somewhere right now, chimpanzees condescend to humans, monstrosities speak with wise prophesy, a pig manages a business better than her owner. So open up another bottle of champagne, and surrender. It will be rough, it will hurt, it will be uproarious. It will ultimately be wonderful. So is this book.

The main story here is about Fevvers, a boisterous, flamboyant, captivating swan-woman with a big heart, who is the star of an (in)famous circus...as seen through the eyes of the besotted young reporter Jack Walser.

The book is a treasure chest brimming with thoughtful, dark, emotionally tinged vignettes with multidimensional (to say the least) characters...the sad stories of several "freaks," Buffo the Great, the manic clown philosopher, kind murderesses, lechers, posers for the dead...I cannot do Carter's creativity justice, and I don't want to ruin the story.

It is a bit graphic and kinky; I wouldn't recommend it to all of my friends. But if you're at all interested in Carter, feminism, magical realism, fantasy, circuses, unconventional fiction, the late 19th century, a rollicking good read...pick the book up now!!!

"Is she fact or is she fiction?" This is the central question that drives journalist Jack Walser to join the circus in an investigative attempt to follow the source of his inquiry-the aerialiste Sophie Fevvers, renown for her uncanny ability to fly thanks to her seemingly magical endowment-a pair of wings. A fancifully imaginative tale, Nights at the Circus takes the reader on a journey from fin de ciecle London to St. Petersburg and finally to the wilderness of Siberia, as the tale grapples with such themes as love and female identity.

The story itself is altogether fun with a cast of charmingly eccentric characters ranging from the outlandish, entrepreneurial circus owner Colonel Kearney, whose companion is an oracular pig named 'Sybil,' to the character of Boffo the Clown, whose outwardly comical appearance belies the disturbing and tragic pagliaccio figure within. The most prominent aspect of the portrayals in the text, however, is found in the female characters who are presented as strong and triumphant, outshining their often emotionally infantile male cohorts. From the naïf turned musical ingenue Mignon to the main character Fevvers, whose wit and charm is balanced by her down to earth portrayal (a woman who eats!), the representation of females challenges the depiction of women by the male authorial voice that had dominated throughout the centuries. Smartly set at the tail end of the Victorian Era, the images of femininity in the text are made to break free from the restrictive representation of women in literature as either the goddess on the pedestal or the imbecilic whore.

Carter has an amazing ability to subtly incorporate philosophical and historical elements in her humor, ranging from existential musings on the nature of the self to a satiric portrayal of the impact of sensationalist journalism on proto-revolutionary peasants in turn of the century Russia. With the overarching structure of the circus setting, the tale is amusing and funny with its lively romp through the lives of its characters, while maintaining an awareness of the more darkly disturbing aspects of life and human behavior. Nights at the Circus is an enjoyable read that also delivers a more profound and intelligent assessment of society and culture.

This extraordinary book combines the traditional biographical format with the visual splendor of color reproductions traditionally found in a museum style art book. "The Red Rose Girls" is in a league all its own, combining history, biography, and art in order to recreate the lives of this amazing group of women. This book brings the reader into the world of these talented artists and goes further to explore the complexities faced by women striving for professional execellence. Carter's book definitely hits the mark, recounting the past and presenting themes that reverberate into present day society. Great!

The Red Rose Girls is a remarkable book. Alice Carter does a superb job of documenting the lives and careers of Violet Oakley, Jessie Wilcox Smith, and Elizabeth Shippen Green. When the last page was turned I not only had a deep respect for their professional accomplishments but I felt that I had known each of these women personally.

The strength and success of these women artists is an inspiration to everyone regardless of their sex or chosen occupation. The "Red Rose Girls" is a must have for any library. The quality of writing and research in this book makes it hard to put down and I am looking forward to seeing more publications by this author.

This is an exceptional book. Carter has meticulously documented three significant women in the history of American art and illustration, Jessie Willcox Smith, Elizabeth Shippen Green, and Violet Oakley. It is a must have for anyone interested in the entwined lives and careers of America's first and most successful female artists as the country entered the 20th century. I found the book to be thoroughly researched and thoughtfully written. The Red Rose Girls does a fine job fully

detailing their outstanding contributions to the art world and of their life long intimate love. Inspiring are the pages upon pages of lavish reproductions which display their paintings, sketches, research materials, and the revealing personal photographs. Carter's complete documentation satisfies my needs as an artist, educator, and as a witness to America's ever changing social history. This book is the definitive account of the Red Rose Girls' role in American art and I am elated for the long due recognition they so fully deserve. You will not be disappointed in this wonderful book.